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Catfish and the Crawlers know what Valentine’s Day means, and they don’t mess around (unfortunately). I’ll get back to them in a minute.
This week we’ve got our Memphis Man himself: The Lionel Young Band hits our stage Thursday night at 7:30, and it should be a great crowd. There is obviously a terrific amount of attention being paid to the solo/duo winner, and I imagine we’ll probably see some press there as well. And I mean other than just me. See you on the dance floor. He’ll be back with Mark Diamond Sunday night for a blues jam, which are always fun. I’m also going to harass him about doing a one-on-one with me about his time in Memphis. Hopefully you’ll be reading about it soon.
Ok, back to my imposing Valentine’s Day Dates. Listen up boys, because they know how to get it done. First of all, have the lovely MJ approach the target with a dozen roses, a card, and a large chocolate heart. Then, have MJ and her five handsome men approach their mics and officially ask said target to “Be our Valentine.” Now, that’s a great start, but remember it’s all in the closing. You’ve got to seal the deal. In order to do so, you have to have a song that can be rewritten. Fortunately for Catfish and the Crawlers, their original, “Chuckie’s Place,” is perfect. Yes, that’s right, they rewrote the lyrics and the song is now called “Honey’s Place.”
The rest of the evening was so much fun that now every February 14th is under an intense amount of pressure to live up to 2008. I love this band and can’t wait for their return. The music is top notch, the joy is evident, and the talent supreme. I’ll advertise their next booking from the rafters.
Before all of that romance, however, a barbershop quartet by the name of Surrounded by Reality (John Dings, baritone, Charles Olivarez, tenor, Don Relmer, Bass, and Ron Craig, lead) brought a whole new level of romance when they serenaded Beverly King with “Heart of My Heart” and “Let Me Call You Sweetheart.” Dressed for the evening (they are hired to spend most of V Day delivering their special gifts to the unsuspecting), they filled the room with such arresting harmonies, we would have all been thrilled had they performed a few more numbers. This was arranged by Jean Craig, Ron’s wonderful wife and the woman whose presence at the Outlook is always delightful (even when she’s taking your money on the rare nights we have a cover). Thank you, Jean, and thank you, gentlemen, it was very memorable.
This Saturday night Mojambus is back! Hopefully, they are brining along Michaela Rae, the 12-year-old guitarist who knows how to thrill a room. Oh, yeah, and Jasco’s not bad either. If you haven’t experienced this band, poor you.
Next Saturday night, 3/1 our very own Delta Sonics return! I think we all know how much I love my Delta Sonics, and for that I make no apology. Nor should you.
The March calendar is up, and there are too many wonderful bands from which to choose. So, let’s just go to all of them. If you have to miss work, Dan will write you a note.
Speaking of Dan…
Memo to Dan:
Dear Dan,
As I’m sure you’ve heard by now, Catfish and the Crawlers temporarily (unless I have anything to say about it) changed the chorus and some of the lyrics to “Chuckie’s Place.” The chorus now goes:
Going down to Honey’s, where they play the blues all night
Going down to Honey’s, that's where they do it right
Gonna be shaking and jiving till the morning light
In as much as this was performed in front of a few dozen witnesses, my attorneys assure me we now have a verbal contract which could hold up in Court. As such, we really should meet on the timeline for getting all the signage changed, the menus reprinted, etc. What is your schedule like this week? “Honey’s Place.” Has a nice ring to it.
Litigiously yours,
Honey
Response
Dear Honey:
Sounds great. As soon as your check for $10,000,000 clears we can take care of the rest of the details.
Respectfully yours,
Dan
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Thu 2/21 - Lionel Young Fri 2/22 - Kelly Aspen Sat 2/23 - Mojambus
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Thu 2/28 - Gretchen Troop
Fri 2/29 - Boulder Acoustic
Sat 3/1 - Delta Sonics
Since Honey Gave Us The Tools To Write A Blues Song...
We think It's Only Fitting That You Learn A Couple Of Chops To Accompany Yourself...
The Blues Scale
  Modern American popular music all traces back to the blues in one way or another. Guitarist and Pandora senior music analyst Bob Coons swings by the studio to talk about the blues scale, a six-note (heptonic) sequence of tones that appears in countless tracks. It's a scale that changes the feel of any song in which it appears. We show how the scale is fluid, with bending pitches and blue notes, and Bob plays some blues-inspired passages to show this scale in action. Hop onto this link here to see images of string bends, to hear examples of songs that feature the scale, and for some great blues stations.
Here is a blues radio station we built, based on the seeds of five legendary blues songs. These five songs are listed individually as examples below, as "Legends of Blues."
MUSICAL TERMS INCLUDED IN THIS PODCAST
| Root note |
Blue note |
Detune |
Blues riff |
| Minor three |
Bent note
|
Dropped D tuning |
Sharp fourth / sharp four |
| Tritone |
Leading tone |
Pentatonic scale |
Flat fifth / Flat five |
| Octave |
Chromatic step (half-step) |
Heptonic scale |
Diminished |
| Half-diminished |
Full-diminished |
Root instruments |
Tonal center |
| Diabolus in musica |
Bent third |
Fixed-pitch instrument |
| LEGENDS OF BLUES
CLASSIC ROCK BLUES RIFFS
NEWER RIFFS IN THE BLUES SCALE
MAKING THE THREE BLUE (MINOR AND MAJOR THIRD), IN UNEXPECTED CONTEXTS
THE BLUES SCALE IN PLACES YOU MIGHT NOT EXPECT
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